I just spent a long weekend in Scotland, on the Isle of Arran, for some camping and hiking and enjoying the beautiful July weather.
I took the opportunity to do some field recordings – here are some of the results 🙂
A very small amount of filtering has been applied to those recordings to remove some low frequencies (Scotland can get pretty windy), but other than that no processing has been done.
About these last 2: I was roughly at the same location, the first one I recorded while facing the waves crashing on the beach, the second i recorded while facing the opposite direction. I think the second is interesting if you’d be looking to have a nice beach waves background ambiance while not really focusing on them.
If you follow me on twitter, you will have seen a few recent tweets about my latest experiments with Sci Fi bleeps and bloops.
I created a MaxMSP patch that allows me to process sound files in such a way that the original file is nearly unidentifiable, and the results sound nicely tech and Sci Fi.
My process there was that over time, I created a few simple individual patches performing this sort of processing:
- Time Stretcher
- Ring Modulator
- Phasor+Pitch Shift
I decided to assemble those patches together in such a way that I could play with multiple parameters and multiple sounds at the same time.
In order to do so, I have mapped the various values and parameters of my patch to a midi controller [KORG nanoKONTROL2], and selected a few sounds a know work well with the different items of the patch to be chosen from a dropdown menu.
This is what the patch looks like:
All the different ‘instruments’ are contained in subpatches. They are all quite simple but create interestingly complex results when put together.
Organised nicely in Presentation Mode, I can interact with the different values with my midi controller:
The mapping system:
I can then record the result to a wav file on disk, which I am free to edit in Reaper afterwards, selecting the nice bits and making cool sounds effects with these original sources.
Record to file:
This process can be quite infinite as I can then feed the processed sound back to the patch and see what comes out of it.
Here is a little demo of the patch and its ‘instruments’:
And some bleeps and bloops I made using this patch:
You can visit the Experiments page to hear more tracks 🙂